One of my favorite "outtakes" of 2010.

Well another year is behind us. It’s hard to believe. Time flies, I guess. If you were to ask me a year ago to predict where I would be right now, I would be way off the mark.

This year brought a ton of changes, surprises, and detours, but it was a great year nonetheless.

During my archive search for the year’s best images, I began to wonder (like any artist I’m sure) if I progressed from last year. Did I make better images than last year? Have I evolved in my style? My first instinct was “no”, given the fact that I traveled so much during 2009 versus this past year, but after pondering for a week or so, I realized that the images that I made in 2010 were by and large a better representation of where I am taking my work. The portraits are stronger and more focused, and I like that.

Included in the mix are images from my Canon point and shoot G9, my Lubitel twin-lens, and my trusty Polaroid Colorpack III land camera as well as a few editorial event images, editorial portraits, images from advertising campaigns, experimental images, a few personal images, and even (*gasp*) a wedding photo. It’s a motley crew of images, presented in chronological order that I dug from 2010.

I have provided two ways to browse my favorite images from this year. In keeping with tradition, the first method is a simple slideshow set to the lovely music of Australia’s Bag Raiders. It’s definitely a lot more upbeat and fun when compared to last year’s slow, instrumental track. The second method is the usual Photoshelter slideshow. So whether you want to just hit play and dance while checking out my favorites or silently click-through at your own leisure, the choice is there.

Heres to an even better 2011!

Check out last year’s “Best Of” post, check it out, and let me know which set of images you prefer. Todd Spoth Photography’s “Best of 2009″ blog post.

BEST OF 2010 – Images by Todd Spoth

The cover of the Photoshop User magazine Jan/Feb 2011 issue featuring an image by Todd Spoth.

About a month and a half ago I got an email from Mike Mackenzie, Associate Publisher of Photoshop User and Layers magazines, letting me know that they wanted me to be featured in Photoshop User magazine. I was thrilled to be featured in a magazine that I receive and read every month, especially after getting a personal tour of the NAPP/Kelby group headquarters just a few months ago. (see that post here)

I have been a NAPP (National Association of Photoshop Professionals) member for years now and have enjoyed the benefits greatly. The guys over @ NAPP work hard at creating the most thorough training content for creative professionals using Adobe software. If you need to know how to do something in Photoshop, Illustrator, Lightroom, Bridge, et al, they know how to get it done. Like many of the professional organizations I belong to, I probably only use a fraction of the member benefits, but my favorite is the free 3-day shipping on every order from B&H photo. If you’re anything like me, you are frequently placing orders for this or that with B&H (one of the largest and best photo/video/audio retailers in the country). Being a NAPP member not only gives you complimentary shipping on every order, but upgrades it to 3-day rather than UPS ground. This benefit alone has made my membership worthwhile. Check out the NAPP website at http://photoshopuser.com.

I have been an Adobe Lightroom user since its beta release in 2006. Back then I was trying out Apple’s counterpart, Aperture, as well as Lightroom and ultimately decided on Lightroom. It was just a lot easier to use. The most recent release, Lightroom 3, has made my life a whole lot easier. The things you can do with the software is amazing.

Mike interviewed me about my usage of Lightroom and some of my basic theories concerning my approach to photography. The resulting interview, bio, and image gallery can be seen in a multi-page feature in the January/February issue of Photoshop User magazine. The issue should arrive to NAPP members this week, and hitting the shelves around January 4th according to the NAPP team. I always see the magazine front and center at places like Barnes & Noble, Borders and other places magazines are sold, so pick one up if you can! To read the actual bio and interview text simply click on the image of the spread below or click here.

The cover to the special Lightroom section featuring images by Todd Spoth.

Photoshop User magazine has a special Lightroom section, which is where my feature can be found. A selection of my images are on the Lightroom section’s title page (seen above) and the actual feature is comprised of a two page spread which includes a short bio, the short interview, another batch of images, as well as an additional page featuring a few more images (seen below) The actual design of the spread is meant to look like the layout of Lightroom itself, complete with basic camera settings for each of the highlighted images.

The main, two-page spread featuring a bio, interview and photos by Todd Spoth.

An additional page featuring more photos by Todd Spoth.

In addition to being featured in the issue, I was surprised when just a few days ago, when I received my own physical copy in the mail, that they had chosen one of my images for the cover as well. The interesting part is that the cover image was actually not taken with one of my expensive SLR bodies, but my point-and-shoot Canon G9, which has since been sold. Oh the irony! Regardless of the tools that captured the moment, I think the image looks great.

I initially sent Mike and the guys over at NAPP about 30 or so images to choose from, so the final selection of images was ultimately left up to their team. Below is a short digest of the images they chose for the issue and links to their respective blog posts. There were several other, smaller, images the guys chose to fill out the thumbnail bar towards the bottom of each page, but the main images are all detailed below.

COVER

1. Portrait of Libby Johnston taken with the Canon G9. See “THE RED CURTAIN”.

LIGHTROOM TITLE PAGE

1. Portrait of Kingwood High School swimmer, Matt Barber. See “FUTURE OLYMPIAN?”.

2. Portrait of MLB pitching prospect, Jameson Taillon. See “JAMESON TAILLON”.

3. “Summer Solstice” image created to illustrate the hot Houston Summers. (no blog)

MAIN SPREAD

1. Portrait of my buddy Rob, who is a teacher. (no blog)

2. Matt Barber again. (see above)

3. “Favela Boys” from my 2008/2009 essay on Rio de Janeiro. See “BRAZIL”.

4. Portrait of “The Dog Whisperer”, Cesar Millan. See “THE DOG WHISPERER”.

ADDITIONAL PAGE

1. Portrait of Shawn Welling, filmmaker, dancer, choreographer and painter. See “MORE PORTRAITS”.

2. Portrait from the deserts of Qatar. See “DESTINATION: QATAR”.

3. Jameson Taillon again. (see above)

4. Portrait of friend and fellow photographer, Adrienne Byard. See “ADRIENNE & ELIZABETH”.

The images of the spread above were from PDF’s, I did manage to scan a few more of the pages of the issue, where my images are shown. Since the images below are direct scans as opposed to the PDF’s seen above, I used Photoshop to clean the scans up and make them look presentable for the blog! Go Photoshop! Ha.

Table of contents page featuring photos from Todd Spoth.

About page featuring photos from Todd Spoth.

Masthead page where I am listed as a contributing writer.

Local Houston pitching phenom, Jameson Taillon, at Scotland Yard in The Woodlands, Texas.

This past weekend I was assigned to photograph a local high school pitching star from up north in The Woodlands, Texas, Jameson Taillon. As I usually do before a portrait session, I research the subject to try and understand why they are being photographed and to learn a little bit about them. Jameson who recently graduated from The Woodlands high school was recently selected 2nd overall in Major League Baseball’s 2010 first-year player draft by the Pittsburgh Pirates organization. Not only was he considered the top pitching prospect of the draft, Jameson was offered a scholarship to Rice University and a spot on the prestigious Rice Owls baseball team. Given the fact that I love sports (especially baseball) the research on Jameson was more exciting than tiresome. After coming to the realization that this kid was a little more than just decent high school baller, I tried to come up with some ideas on how to approach the shoot.

Saturday morning I arrived at Scotland Yard, the home field for The Woodlands High School baseball team, early, to scout locations. Although there were a few lingering clouds, rain was not an issue, but the 110 heat index was definitely going to play a role. I had my gear set up and ready to go well before Jameson showed up.

“How did you get in here,” Jameson said with a grin.

Little did he know that in the absence of any facilities personnel on a Saturday morning, I roamed around long enough to find an unlocked gate and let myself in.

Local Houston pitching phenom, Jameson Taillon, photographed by Todd Spoth.

Given Jameson’s recent success, it’s no wonder that several of my colleagues in the photo world have photographed him recently, with most of the shoots taking place at this same location. Although it may have been repetitious for him, he was in good spirits and a great sport. Unfortunately for me, since my shoot was taking place after the high school season was over, Jameson was unable to be in full uniform for the images. He had a cap, a glove and a logo t-shirt. The trademark socks, pants, jersey and cleats that set the iconic baseball uniform apart from the rest of the sports world were no where to be found.

Some of my planned shot ideas involved shooting Jameson full length and in a variety of different locales around the ballpark. Since his uniform was incomplete I adjusted my game plan and decided to work in tight and concentrate on Jameson’s look.

Pitchers in baseball are known to “stare down” their opponents. There was a certain look in his eyes that showed me he had what it took to intimate batters, but there was also a touch of innocence about him. Here is a kid that was just another high school teenager a few months ago and now is on the verge of a possible multi-million dollar offer from a Major League ball club. Once I took a few tight frames of Jameson, concentrating on his eyes, I knew that my last-minute game plan adjustment was for the better.

After we started shooting, Jameson was very accommodating. Since I was dealing in tight, it meant that he wasn’t able to be as mobile as maybe he would have liked, but we pushed through several different angles and lighting setups and were done well before he had to leave.

I played baseball for about 8 or so years, before I moved to Paris, France in my younger days, so I am definitely proud to see another local Houstonian about to break out in the big leagues. Our area is known for producing exceptional sports talent and Jameson will hopefully go on to become an awesome Major League hurler, whether he decides to jump right in or attend Rice for a few years.

A gallery of some of my favorites from the shoot is below. If you dig the photos, please use the “tweet” button below to help spread the word.

JAMESON TAILLON (10-06-19) – Images by Todd Spoth

A comparison of 2 images that feature the similar scene of Vince Young celebrating a big play.

This past weekend I had the chance to photograph Vince Young’s annual celebrity basketball game here in Houston at Butler Sports Complex, a familiar spot for the native Houstonian.

Vince Young is well known in Houston as he drew a lot of attention as a high school prospect in the area, eventually playing college ball at the University of Texas. After a very successful career as a Longhorn, there was notable controversy during the 2006 NFL draft, when his hometown team, the Houston Texans passed him over for defensive end, Mario Williams. Young was picked 3rd overall by the Tennessee Titans where he plays today.

I have photographed several NFL games over the years, several during Vince’s career with the Titans, however one moment stands out above the rest.

It was December 10th, 2006 and Vince, a rookie at the time, was at the helm of the Titans squad against the Texans at Reliant Stadium in Houston. Texans kicker, Kris Brown, tied the game with a 46-yard field goal to force overtime. The Titans won the toss. I was positioned near the end zone with Vince facing me on the other end of the field. It was still early in the overtime period when Vince and the Titans were facing a 3rd-and-14. The Texans had hope. The crowd was on their feet, trying to will their team to the 4th-and-out that would never come. Seconds later I saw Vince running towards me, the ball safely tucked under one arm, his other outstretched in celebration. The 39-yard touchdown run instantly transferred the energy from the fans to the Titans bench and without a moment’s notice I was backed into a corner with a jubilant Vince Young and a stampede of excited Titans barreling towards me.

Vince Young celebrates with teammates following a game-winning touchdown run in 2006.

For those who are unfamiliar with photographing an NFL game, the protocol usually requires at least 2 cameras, 3 if it’s a possibility. The primary camera is outfitted with a long zoom lens with a focal length anywhere between the 300-600mm range. The second camera usually has on a 70-200mm lens which is nice for photographing plays as they come a little bit closer to your position. The third camera body is usually mounted with a wide angle lens. This third camera sits around the neck and is at the ready for fast action. The majority of NFL action images are captured while the play takes place a decent distance away, but the given the unpredictable nature of the game, the third camera is there for times when the play and subsequent action is charging towards your face.

As Vince celebrated his game-winning touchdown (which kept the Titans in the playoff hunt) I put my wide-angle outfitted camera up to my eye and snapped off images as the team rushed over to revel in the moment. In a matter of seconds more photographers, players and other persons joined the scrum, but those initial moments of jubilation were for the most part gone forever.

That game was about 3 and a half years ago and I have photographed Vince with the Titans since then, but that moment is one I will never forget.

Vince Young during a Monday Night Football game against the Texans in 2009

Fast forward to this past weekend.

Even though there were several big names in the mix, the event was for the most part low-key, which meant access was excellent. The game was held at an older local high school basketball arena, which was great for ambiance, but made it very difficult to photograph due to very dim lighting conditions. Among the players were; J.R. Smith of the Denver Nuggets, Mr. 720 (famous for his outrageous dunks), Former Longhorn and current offensive guard for the Houston Texas Kasey Studdard, Texans receiver Andre Johnson, former NBA star Nick Van Exel, rapper and entertainment mogul Master P and his son Lil Romeo. The motley crew of different players was fun to watch. Mr. 720 and J.R. Smith were definite front-runners talent-wise, but everyone brought something to the table. It was like watching a very casual all-star game, with very few stoppages in play, lots of fast-break dunks, and a plethora of no-look passes (some successful others not so much).

During the final minutes of the game, the score was close and the mood intensified. Both the crowd and the players seemed to perk up and for the first time pay attention to the time left and the score. There was a few minutes of give and take, but just like that game over 3 years prior, Vince found himself with the ball and and in a position to win the game for his team and win he did. Vince scored the winning points with a classic overhead slam dunk and what happened next was my deja vu moment.

Within seconds of the game-winning dunk I again found myself shoved against the wall next to a jubilant Vince with his teammates running towards us. Again, I lifted my camera and wide-angle lens to my eye and began shooting. The following image is one from the post-game fray. You can see Denver Nuggets guard, J.R. Smith in the background celebrating with the rest of the team.

Vince Young celebrates after a game-winning slam dunk during his celebrity basketball game in Houston, Texas in 2010.

After the game Master P approached me and let me know that he had to let Vince win on his birthday. So, I guess Vince’s 27th birthday didn’t turn out too bad after all. As I edited the images from this past weekend’s events, I noticed one image from the scrum. I pulled the above image out and compared it with the image of Vince from that overtime game years back. The resemblance was interesting to say the least.

**note** I am currently tweaking different things on the blog so let me know what you think about the new features. One new feature is the green button which is directly under this post that allows twitter users to retweet this post, so if you are a twitter user, please do!

Kingwood High School swimmer Matt Barber, photographed by Todd Spoth

A couple of weeks ago I got an assignment to photograph an up and coming high school swimming star from Kingwood, Texas. The image was going to accompany an article for the All Greater Houston section of the Houston Chronicle which is a special section highlighting outstanding high school athletes from the Houston area. After briefly looking around the internet and my magazine archive for a little inspiration, I packed up my car and drove out to Kingwood High School. On shoots like these I tend to pack way more than I end up using, but you never know what to expect and I have plenty of stories where I have said to myself, “well, we could have done this, but we forgot this.”

I gave myself plenty of time and was able to introduce myself to the swim coach as well as requisition a small conference room to set up. The Kingwood High School colors are blue which worked well with my blue backdrop. I took my time and got everything set. Since the campus was pretty much deserted, save the swim team that was in pool at the time, I was forced (as usual) to test my lighting set up on an inanimate object. Usually for larger jobs I will bring an assistant with me, but last minute, smaller, editorial jobs like this one, I am a 1 man band.

I scanned the room for something that could work as a stand-in model. A small, handheld camcorder on a tripod. It would have to work.

when you don't have an assistant to stand-in, you find the next best thing.

Although the camcorder was a lot smaller (and shorter) than my subject would be, it allowed me to at least get my lights and camera set somewhere in the ballpark.

By the time Matt finished up practice, I was set up and ready to go. He had a limited amount of time so we fired off the shots. I had him jump back in the pool and run back into my makeshift studio so I could capture a few frames with the water droplets on his body. We did some of him in the pool, but I really liked the set of images we did with the simple backdrop

After I got home, edited and sent my image to the newspaper, I took a look at my favorite images from the take. I liked them, but they were all very similar. I decided to challenge myself and take each and tone each a different way for different looks. Some of the edits are obviously a little much for the editorial world, but I like them. After all I am in a creative field, so dammit Im going to be creative! I like the image on the top of this post, because I think the goggles add a bit of mystery to the look, with the catchlights almost looking a bit otherworldly.

Matt was an awesome guy and very patient and willing subject. I hope he becomes the next Michael Phelps, goes to the Olympics, and earns gold. With any luck I will be right there with him photographing it.

MATT BARBER (10-04-19) – Images by Todd Spoth

Late last Saturday evening I got a last minute call to cover the 2010 Lonestar Iron Man triathlon that was taking place in Galveston, Texas.

I was already familiar with the event as I had a few friends that competed in the first portion which took place that Saturday. Sunday morning was the real deal race that featured the professional triathletes. Even though it wasn’t required that I be down in Galveston for the beginning of the race (7am, sharp) I decided to set my alarm for 5am and make the 45 minute or so trek down to the island for the race’s kick-off. Operating on about 3 hours of total sleep, I woke up before the sun and was surprised to be parked, geared up and in position well before the first wave of athletes took to the water.

You can never be too early to events of this scale and this distance away. Football, baseball, soccer and other events where the field of play is pre-determined are a lot easier to cover than large-scale events where the location is unknown to the photographer until they arrive. Although I know Galveston Island and Moody Gardens like the back of my hand, I had no idea where the course was laid out, so for posterity, I gave myself plenty of time to account for traffic, road closures, and scouting. There is nothing worse than speeding to an event, rushing to the starting gate and having the race start before you have had any time to gear up, scout the best shooting positions, draw up a plan of attack (critical for long and sprawling events such as a triathlon) and most importantly, breathe.

Thankfully, this was not my first time to cover a triathlon. Back in the fall of 2008 I covered another triathlon in Columbia, Maryland, so I knew a bit about what to expect, but due to the nature of the events, unpredictability is a factor.

One of the main reasons for making the sacrifice of sleep and being there at the start is the light. Very few events kick off at 7am, when the sun is just coming up and the light is beautiful, so taking advantage of the circumstances was a must in this situation. I could have slept in and made “good enough” images at the tail end of the event at around 10:30am or so, but I would have missed the wonderful light of the early morning.

I set myself up to shoot a few different views of the athletes during the initial swimming portion which are illustrated by the images in the slide show below. After the swimming event, I knew I would have a good chunk of time while the athletes completed the cycling portion. The 56 mile cycling course weaved down to Seawall Blvd and down the West End. Having not only a good handle on the pacing of the event, but a good handle on the area (I was born on Galveston Island) I quickly hopped in my car and drove down Seawall Blvd. I made a few images of the riders with the clean backdrop of the Seawall and headed back to the main event. During my down time I made a few interesting images of things like the portable bathroom units, including a few medium format film images that I blogged about in a previous blog post called “Seeing Squares”. Since the final running portion of the event was fairly self contained within the Moody Gardens facility, the backgrounds were kind of drab, but I managed a few interesting frames.

In all I had a great time covering the event. I was a bit sleep deprived by the time I finally made it off the island (about noon) but my day didn’t end there as I had another assignment to complete before calling it and heading home to recover. Some of the images that I dig which are in the slide show below.

Please remember that the slide show images are not a tightly edited essay, but rather a loose grouping of edited favorites from the event.

IRON MAN TRIATHLON (10-04-25) – Images by Todd Spoth

Last weekend (actually Saturday!) I got the call to shoot some racing action out in Baytown, Texas at Houston Raceway Park. The NHRA O’Reilly Spring Nationals drag racing event was in town and it was a great weekend to have it. The weather was awesome with a nice April breeze and without the sweltering heat. I have had the pleasure of photographing Nascar, Indy, Le Mans, as well as drag racing in the past and although each is fun and exciting to shoot in its own ways I am more of a fan of the Le Mans style of racing, which may or may not have anything to do with living in France for a number of years and having attended races over in Europe. Wait…does street racing count?

I do remember my dad taking me to a few events at Houston Raceway Park as a kid and I have shot and attended races, car shows and 1/4 mile shootouts there on several occasions so I am familiar with the area and venue. Even though the Spring Nationals are a pretty large event for the NHRA, the pit areas at HRP are still accessible and open to allow interaction between the fans and the crew. (without having to spend a ton of money on a special pit access pass like some events *cough*NASCAR*cough*) There is definitely a niche fan base for drag racing, but I am always surprised at the different kinds of people that show up to catch the racing action. I stayed away from the the other photographers who were zoned in on the rather drab action images that the track access allowed, and concentrated on what happened behind the scenes.

I do remember watching the short-lived A&E show Driving Force so when I found out John Force and his daughter Ashley Force Hood were both competing, I followed the father/daughter team for a bit. It was interesting to see both John and Ashley take care of business, each in their own separate little worlds, so close together. I noticed a very interesting dynamic between the two. Each had an equally large fan base that loomed near their adjoined-but-separate pit areas and each made it a point to reward the gathered crowds with smiles and autographs after each run.

As for the images, there were lots of interesting colors and although I especially liked the color in a select few of the images, I thought the black and white treatment worked on them as a whole. Of course, as always, for the sake of archiving, the images appear as a broader edit and not a tightly composed essay.

* DISCLAIMER * The second shot of the crowd that looks like it may have been shot with a tilt-shift, actually isn’t shot with a tlit-shift at all. I was concentrating on making images of the crowd when a car passed by once, I noticed the trail of gasoline fumes followed the car like a looming cloud, so I tried to make the next few frames illustrate that effect.

** UPDATE ** This series of images recently won 3rd place in the Series/Multiple category in National Press Photographers Association’s monthly news clip contest for the month of April 2010. Check out the NPPA monthly news clip contest results website for the details.

NHRA DRAG RACING (10-04-10) – Images by Todd Spoth

Earlier this month I spent a few hours with the University of Houston – Downtown‘s powerlifting team in their small gym space on their commuter campus downtown. The rather large team was cramped into a small public space in the school’s recreation center which made my assignment a little tough. What the team lacked in facilities they made up for in talent. The team, led by Dr. John Hudson PhD, a record-holding powerlifter in his own right. The team is a small, tight-knit family with several members competing for current world records and collegiate championships.

Even though I had limited time with the team, their workout was a blast to shoot and everyone was very enthusiastic about the team and about powerlifting in general. The camaraderie amongst the teammates was contagious. Check out the Houston Chronicle story on the University of Houston – Downtown powerlifting team on the Chronicle’s website and check out the rest of the images and layout below.

Last Saturday I had a rather unusual assignment to cover the 2010 Conference USA Swimming and Diving Championships hosted by my Alma-mater, the University of Houston. As I prepared for the event I realized that out of all the things I have shot in the past and out of all the sports I have shot in the past, I had never shot a swim meet or competition diving. For years I had seen great swim meet photos from local newspaper photographers all the way up to the Olympics, but never had I shot it myself.

So I called some friends for some inspiration.

A few told me that it would be dark and damp (it was) and that I should bring in some lights to light the place up. I would have, but there was little time and the Campus Recreation Center where the meet was being held was a little hard to navigate. Since the competition pool is sandwiched between the dive pool and a training pool, angles for shooting are pretty slim. Even though the conditions were not ideal for photographs I enjoyed myself. I must say, I have complete respect for someone who can swim 66 non-stop laps in an Olympic-sized pool, not to mention one who wins that heat.

After I had made plenty of proper (and identifiable) images of swimmers leaving the block, celebrating, etc, I decided to play around a bit and shoot some more abstract stuff from the venue. With the obligation of identifying the schools and individual swimmers behind me, I felt inspired to follow my instincts and shoot a series of images that played with the color of the water and the natural motion of the event.

As we wrap up the first week of the new year I can’t help but reflect on the past year. There were struggles as there are with anything, but I’d be remised if I didn’t sit back and be thankful for the good things. I met a lot of great people, made a few new clients, learned a ton of great things and made a few decent images along the way.

2009 was the year I was blown away by being accepted as a participant into the Eddie Adams Workshop.
2009 was the year my first major documentary project premiere to a sold out audience of over 250 people.
2009 was the year that documentary project won not 1, but 4 awards including a Gold Remi.
2009 was the year that I owned the copyright for 100% of the images I captured.
2009 was the year that I got to visit 5/7 continents in the span of 4 months.
2009 was a good year.

Here’s to 2010 being even better. The short piece above showcases about 65 of my personal favorites from 2009. They may not have run, they may not have been the best pictures, but they are my special to me in one way or another, so sit back and enjoy.