2011: I met a lot of interesting people and made a lot of amazing friends along the way.

I’ve been waiting to post this entry for several weeks now. I wanted to have it up during the final weeks of 2011, however a hectic holiday weekend and an extended trip to Japan meant that it was on hold until now. I may be a few weeks late, but since we are still in the phase trying to gracefully scribble a 2 over the 1, it may mean that I’m right on time.

Where can I start? 2011 seemingly breezed by. Going through all of my images from the past year, work, personal and otherwise, I noticed a definite trend. 2011 was the year of the music. Whether that is an isolated anomaly or the beginnings of a journey, who knows? I’m hoping for the latter and I think I may be right.

When I wasn’t hard at work with my own musical endeavors, I seemed to find myself photographing indie bands (i.e.: local hero’s Wild Moccasins and Buxton), hip-hop groups and rap artists (i.e.: Trae Tha Truth, Lupe Fiasco, Mystikal, Z-Ro, The Niceguys, et al). I also found myself branching out more with my editing style. I am experimenting more and it feels good. Since my passion was in design before I even picked up a camera, the occasional creative departure was a welcomed reprieve from the usual and the work I did in 2011 lent itself to that.

2011: I pushed the boundaries of my creativity a bit further and did things my own way.

I met so many amazing and interesting people in 2011. I’m excited to continue my friendships and working relationships with many of them into 2012 and beyond.

This post should really be titled “Favorite Images of 2011″ since my 100 compiled images from the past year are not necessarily my “best” photographs, but rather 100 of my favorites. As always there are several polaroids and a nice chunk of medium format film images, from an on-going personal project on hip-hop.

2011: I discovered that the 6x6 format was made for my style. Look for more of this in 2012. Rest in Peace, Clip.

I have provided two ways to browse my favorite images from last year. Traditionally the first method is an automatic slideshow set to a musical track. This year I chose Trae’s “I’m On” single featuring Lupe Fiasco, Wiz Khalifa, Wale, MDMA, and Big Boi. The song samples “Return of the Mack” by Marc Morrison, which was a favorite jam of mine from the 90′s. The track (which may or may not contain a few objectionable lyrics) is also special to me because I worked on the official video with friend and all-star music video director, “Philly Fly Boy”. I got the opportunity to work with Philly several times this year and had a blast. The video for “I’m On”, featuring my own footage, debuted a few weeks ago while I was in Japan and is currently in regular rotation on MTV. It was the MTV Jam of the Week and was played twice an hour for a week straight, which helped me kick off 2012 with a huge grin across my face.

The second method is the usual Photoshelter slideshow. So whether you want to just hit play and jam out to my favorites or silently click-through at your own leisure, the choice is there. Remember, it’s always a better experience when you click the “full-size” control to the bottom right of each module. As always the images appear in chronological order. If you have an extra minute or two check out my “Best Of” posts from 2009 and 2010.

If you wan’t to check out the video for “I’m On” click here: Trae Tha Truth – “I’m On” FT Wiz Khalifa, Lupe Fiasco, Big Boi, Wale & MDMA

Here’s to an amazing 2012!

Stay tuned for a post with TONS of images from my Japan trip, coming soon.

BEST OF 2011 – Images by Todd Spoth

One of my favorite "outtakes" of 2010.

Well another year is behind us. It’s hard to believe. Time flies, I guess. If you were to ask me a year ago to predict where I would be right now, I would be way off the mark.

This year brought a ton of changes, surprises, and detours, but it was a great year nonetheless.

During my archive search for the year’s best images, I began to wonder (like any artist I’m sure) if I progressed from last year. Did I make better images than last year? Have I evolved in my style? My first instinct was “no”, given the fact that I traveled so much during 2009 versus this past year, but after pondering for a week or so, I realized that the images that I made in 2010 were by and large a better representation of where I am taking my work. The portraits are stronger and more focused, and I like that.

Included in the mix are images from my Canon point and shoot G9, my Lubitel twin-lens, and my trusty Polaroid Colorpack III land camera as well as a few editorial event images, editorial portraits, images from advertising campaigns, experimental images, a few personal images, and even (*gasp*) a wedding photo. It’s a motley crew of images, presented in chronological order that I dug from 2010.

I have provided two ways to browse my favorite images from this year. In keeping with tradition, the first method is a simple slideshow set to the lovely music of Australia’s Bag Raiders. It’s definitely a lot more upbeat and fun when compared to last year’s slow, instrumental track. The second method is the usual Photoshelter slideshow. So whether you want to just hit play and dance while checking out my favorites or silently click-through at your own leisure, the choice is there.

Heres to an even better 2011!

Check out last year’s “Best Of” post, check it out, and let me know which set of images you prefer. Todd Spoth Photography’s “Best of 2009″ blog post.

BEST OF 2010 – Images by Todd Spoth

Part of my wonderful class at the James Driver Park YET in Houston

About a year ago, Canon and the NFL began an initiative to help children become involved in photography, donating camera and photo gear to centers across the country. Since the early 1990′s the NFL has set up Youth Education Towns (YETs) in a lower-income neighborhood of each city that has hosted a Superbowl. This year Canon and the NFL have teamed up to help educate the children at these YETs on the donated cameras and photography. Sports Illustrated staff photographer Peter Read Miller was brought in over the Summer to help put together a DVD and workbook that outlined some basic techniques and select photographers in the different markets were chosen to participate in the hands-on education of the children. After some back and forth, including a lengthy background check, I was approved to teach the children at the 2 Houston area YETs and I couldn’t have been more thrilled.

I had been send a copy of the DVD (which was actually produced at the Houston area YETs) as well as a few copies of the workbook and even though I had contacted each center director and formulated a bit of my own curriculum, I was very nervous as to what was in store.

The first class took place this past Wednesday the 17th and went wonderfully. I was anxious going in, but the entire experience was great from the start. The YET was in a very active part of the neighborhood, sandwiched between a local high school, a park, and a Boys and Girls Club. The inside was decorated with NFL memorabilia and each activity room featured clean and updated equipment whether it was the media room, library or gym. The center director even gave me a tour of the YETs “media” room, which was like walking into a fully decked out recording studio. She mentioned part of the funding came from the Steve Young Foundation. Awesome.

After the grand tour, I was led to a room where I setup. My preparation for the classes included me digging through my archives, searching for sports images that I could use to help illustrate ideas or theories on photography. This also meant that I since I did not know if the center had a projector, DVD player or a computer for viewing the images, I had to prepare for a few different scenarios. When I learned that the class would be pretty small, I figured out that I could simply use my laptop to show the DVD and images to the students. There were 4 girls and 1 boy in the class, mostly teen aged kids that all had at least some experience with the cameras as well as a passion for photography. The fact that the students were engaged and willing to learn played a big part in the success of the class. The center’s director and media services coordinator also attended the class in hopes of soaking up information to pass along to those who were unable to attend.

An image I used to illustrate the idea of following the action after the play is over.

After some introductions, I showed the class the provided DVD and then went over some basic camera fundamentals. The small class size made it easy for the students to follow along with the actual cameras in front of them. I then showed a series of my own images, using them as examples for different tips and tricks. After a few hours of instruction I took the students into the gym and let them loose to photograph a boys basketball practice. I mingled while they shot, coaching each of them along the way. For the final portion of the class, we gathered around an editing station and edited a few of the best images from the practice.

I had such a great time with the students that I volunteered to help the director and a few students at an upcoming Houston Texans game where they will be putting their skills to the test photographing the pre-game warm ups on the field!

With the first class behind me, I was ready for to tackle the second YET.

The second location was different in a lot of ways. There were a ton more children all of which seemed younger on average than the first location, which made for a very chaotic environment. After getting settled into my classroom, I was introduced to the children. Just like the actual center, my class was at least double the size of the first class and the age of the children was on average about 10-11. And just like the first YET, my entire class was girls and 1 boy. I knew I had to keep the techno-babble to a minimum and beef up my gestures and animation. It was a challenge at first, but I managed to get into the groove. Since the class was younger and the attention spans were shorter, we decided to split up the class time into two days.

The second day the students were especially excited and called me by my newly adopted name, “Mr. Todd”. I started with an overview of the tips and then let the children spend about half an hour in the center’s recreation room to put what they had learned to practice. When we came back we reviewed the material and stopped for some photos before they all took off for the weekend.

"Mr. Todd" and the students at the James Driver Park YET

The students at both YETs got especially peppy after I told them that I would be choosing one stand-out student from each class to attend the Superbowl in Dallas in February 2011.

One of my stand out students at the James Driver Park YET

I have done some teaching in the past, but this experience was a lot less of a “working” experience and more of a “rewarding” experience than I initially anticipated. It was amazing working with the centers and the children and I was thoroughly inspired by all the youngsters so eager to learn. I will definitely be paying them a visit to check up on them in the near future!

The 400 page Blurb book, produced by Todd Spoth and Libby Johnston.

My family has been planning my grandmother’s 80th birthday celebration for about a year now. My family on my mom’s side is a close-knit group of individuals, however logistics is sometimes an issue as we are scattered across the globe from Tokyo to LA to Cleveland to Brazil. We agreed early on to all meet up in Cleveland to surprise my grandmother with a visit.

After I got my travel plans in order, I had to decide what to get my 80 year old grandmother. I had been involved in my scanning project for a few months then and almost immediately decided on producing a photo book as a gift to her.

I’m sure my family is not dissimilar to many in that there are hundreds and hundreds of amazing film images scattered across aunts and uncles and cousins and grandparents, that sadly, sit, unorganized and deteriorating in closets and trunks and attics and basements. Given my (somewhat forced) knowledge on digital archiving and preservation, I took it upon myself to start scanning in some of these legacy images, digitally. It was and has been a time-consuming and tedious process, however it is, in the end, worth every minute as now these digital files are easily accessible and archivable.

After scanning in hundreds if not thousands of weathered prints and negatives, I realized I had only scratched the surface. The images I had scanned thus far were from my own personal stash of images from my childhood and from a few handfuls of unorganized photos that my mother, who currently is living in Brazil, had sent over to me. The scanning in of the images using our Canon CanoScan 8800F flatbed scanner was definitely the most time-consuming and tedious part, from there we could concentrate on the book.

Libby and I worked through different concepts and ideas for the book, before ultimately deciding on doing a 7″x7″ book by Blurb using Blurb’s own Booksmart software. We had done several photo book’s with Blurb in the past and had a pretty good experience with them overall. We were coming down to our deadline in getting the book ordered so given the fact that we were familiar with the software and company as a whole, we chose Blurb.

We toyed with the idea of creating 3 or 4 mini-books or creating a really big book with intricate layouts, but in the end decided on a smaller 7″x7″ book that would be filled with full size images from our family’s past. The book was to be hardcover with an ImageWrap cover, meaning there was no dust-jacket and the cover would be printed with our own design. We decided not to mess with the different layout styles and simplify the book by having just 1 image per page, full bleed. There are a few exceptions, such as a few double-trucks, and a few carefully assembled layouts, but for the most part, each page is it’s own photo. This not only made our lives easier in the layout process, it would be a lot easier to experience, especially by someone who is 80 years old.

Our last rule we imposed on ourselves for the production was that all of the images that would appear in the book would be film images. I have tens of thousands of digital images from more recent family events, however for this project I wanted to focus on the past and concentrate on the amazing archive of film images I had recently acquired. Not only was I scanning in 35mm prints from my childhood, but I had discovered a lot of priceless gems such as a set of prints of my late grandfather during his time in the Air Force as well as images of my grandmother in her 20′s, living in Japan.

The old prints of my grandfather during the war are among my favorite images.

Typically during my own portfolio editing process, I toil with cutting down the number of images into a tightly-edited package of only the best, but for this project I had to change my thought-process. We initially tried to edit some of the images down, but ultimately decided that this was not a portfolio and that my grandmother and family would be thrilled to see as many photos as possible. After checking out the page count limitations on the Blurb website we decided to produce as many pages in the time we had to finish the book. Libby worked tirelessly to layout as many quality pages as she could while I worked to come up with a design for the cover. We really wanted to max out the number of pages out at 440 (the Blurb maximum) but due to time constraints we topped out at 400.

Prior to deciding to go for quantity with the page count, I scoured the Internet looking for photos of other large Blurb books, but came up empty. There were a few here and there, but for the most part, there weren’t any real images, which is my inspiration for this blog post and the images that follow.

I tried for days designing different cover ideas for the book. One of my designs included a black cover with “La Familia” in an Old English typeface dipping across the front. After a visit to the local Japanese market I had the idea of doing a parody cover of the packaging of some Japanese rice crackers. I explained to Libby my idea and with both of us in agreement she went to work. She created the entire front and back cover from scratch, mimicking every detail of the original packaging and adding in subtle details as they pertained to the book.

The inspiration for the cover, (right) and the final product, (left)

Since Libby spent so much time and did such an awesome with not only the layout but the cover design as well, I decided to take an older film photo of her and design a credit page for the back of the book.

The custom credit page I designed with a childhood photo of Libby.

When we received the book we were excited to flip through all of the pages and see them for the first time. I was pleased overall, but there were a few things I noted for our next Blurb book endeavor. First, the ImageWrap cover  needs a pretty significant amount of bleed room to actually wrap around the covers of the book. Blurb warned us about this, and it looks fine, but we would have liked a bit more breathing room for some of the cover elements. Since the book is only 7″x7″ and 400 pages, more of the images get lost in the gutter as opposed to a 12″x12″ book with only 10 pages. This really wasn’t too much of an issue once the book was delivered and started to get worn in, but it was a concern. Other than that, the project was a complete success and my family, especially my grandmother had a great time looking through all of the images and reliving all of the memories.

In addition to helping with the layout and cover design, Libby also constructed a tiered-trio of custom made boxes to present the book in along with a few other small gifts. All of the family members were also given a DVD with a similar custom cover layout that had digital copies of all of the images I had scanned in. My goal with the DVD’s and book is to inspire the rest of my family to organize and scan in their weathering prints so that we can properly maintain and archive our family’s history.

If you have any thoughts about the project or have created your own huge Blurb book, I would love to hear your comments and experiences. Please let me know what you think!

400 PAGE BLURB BOOK (JUNE 2010) – Images by Todd Spoth

A young boy relaxes under the mist tree in Discovery Green Park in Houston, Texas.

One of my regular editorial clients is my hometown newspaper, The Houston Chronicle. Since the majority of my workload lately consists of work that differs from my work as a newspaper photojournalist, getting an assignment from the Chron often seems like a much needed break. The variety of things a newspaper photojournalist photographs is vast, from sports to portraits, and you never know what you’re going to get. From drag racing to triathlons, I have photographed a ton of different events in the first 6 months of this year, 2010. I have also had the pleasure of meeting and making portraits of several interesting characters from MLS soccer stars to skilled surgeons.

The gallery below highlights some of my favorite images shot on assignment for The Houston Chronicle during the first 6 months (January – June) of 2010. The group of images may not necessarily represent the “best” photos in a journalistic sense (depends on who you ask) merely my favorite photos for whatever reason. Although I tried my best to showcase images and assignments that were not previously featured on the blog, some of the images may be familiar. Some of the images made it into either the print edition or the web edition of the publication and some images were simply outtakes that I deemed interesting for whatever reason. Please note that some images may appear differently than those originally sent to the publication for print, as I went back into the archives and did a few different edits, but for the most part the images were plucked from my “sent” folder.

Please let me know what you think, and of course, please use the “TWEET” button at the end of this post to share with friends!

PS: Click here to check out the new blog from the photo staff over at The Houston Chronicle entitled “Depth of Field”.

BEST OF THE CHRON 2010 (JAN-JUNE) – Images by Todd Spoth

I’ve been pretty busy lately and have much to catch up on the blog world. I still need to update my blog with my stuff from Africa, Brazil and my story completed at the Eddie Adams Workshop last month, but this post is devoted to a rather interesting trip I took last week to Qatar in the Middle East.

One of my local clients, a hip hop dance academy was chosen to assemble a team and represent the US at a rather large event in Doha, Qatar. I have been on several trips with various different teams and dancers over the years, but this one was different. Usually the trips are only with a few different dancers and usually the dancers that go are from the pro team. The pro team consists of a group of professional hip-hop dancers and break dancers that range in age from their late teens to their mid-20′s. The group I accompanied to Qatar was mostly younger kids some of whom had never previously been out of the country, so their curiosity hopefully translates in some of the images.

Our whole trip, albeit a week, seemed to last only a few days. The itinerary was mapped out weeks in advance and a lot of time was spent in waiting to rehearse in a hotel ballroom, riding in a bus to and from venues, at the hotel buffet and on 17-hour plane rides. Towards the end of the journey my photo wanderlust took hold and I started to feel like I was being robbed of really experiencing Qatar, however during one of the event’s the Amir (head honcho) of Qatar met us and graciously paid for our entire group to tour the desert. After the crew’s final performance we traveled a ways into the desert to the Saudi/Qatar border and went crazy on the sand dunes. The light was magnificent, the sand, the sky, the warm water of the Persian Sea. It was lovely. I wish I had more time to spend out there, but for the time we were there, it was paradise.

On the tired ride home I asked one of our new Qatari friends when the last time it rained was, he replied with, “It has not rained in seven years.”

Wow! After another 17 hours in the air, I arrived home to a rainy Houston. Go figure.

I was a little skeptical about spending a week in the Middle East with a bunch of kiddies, but I had a great time and it will be something I won’t soon forget. This trip marked my 4th continent visited in as many months…now if only someone would hire me to shoot in Australia or Antarctica!

PS. Everyone in Qatar was amazing and amazingly hospitable. I like to travel rather inconspicuously and alone when I shoot abroad, however it was quite the opposite during this trip. We were in a large group of about 18 or 19, mostly kids and parents and all of them were wearing “TEAM USA” apparel. Not once did I feel awkward or out of place in Qatar. The one exception to this is at the international airport in Doha. We went through several security checkpoints as usual, however there was one right before we boarded the plane. Long story, short, it was a complete disaster that lasted about 25 minutes in total and ended up with all my gear all over the place and all my gaffer’s tape and AA batteries thrown away!

This is my second installment of my 2 part favorites post highlighting my favorite images taken during Houston Chronicle assignments. This post contains images from roughly mid-May 2009 through this past weekend taken from my Houston Chronicle assignments only. I am a regular contributor to my hometown newspaper and get to shoot all kinds of things. A few months ago I posted my January through mid-May favorites and I thought now was a good time to post some selects since then. Some may have made it into the paper, some may have not. They were all taken from images sent to the paper from my various assignments.

*Note: I have consolidated my favorite images from all of 2009 into one nice and neat Photoshelter gallery. View the slideshow of 57 images below!

Its been almost a month since my last update. Wow. I’ve been busy, which is good I guess. Working on the movie, working on new internship things, and working on my brand new MacPro system. There’s nothing like 10Gb of RAM, 3 wide screen monitors and a fresh install of Final Cut Studio 2 to get the film-making juices flowing. Ive picked up a new Adobe Lightroom book as well as one on FCP 6.0. I’m determined to be proficient in both programs by the end of Summer. I’m also really proud of my girls in Distorted X. They are representing Houston, Texas on season 2 of America’s Best Dance Crew on MTV. The season premiere airs June 19th. Go to MTV.com and vote for them now!