Four images by Todd Spoth as they appeared in the 2010 show, "Convergences"

Back in June I was invited to participate in a group gallery show put on by my good friend, Alfonso Cantarero. The show, entitled, “Convergences” featured a lot of amazing work by several local artists from different backgrounds and disciplines. Once I saw that most of the participants were amazing illustrators, painters and street artists, I was humbled to be chosen as one of the few photographers to show. The show held a great opening night at War’Hous Studios Gallery on June 26th and featured some awesome music and good food.

In preparing for the show I struggled a bit with what I wanted to show. My anxiety only increased when I saw that most of the other artists were street artists. After a bit of thinking I came up with an idea. I had been sitting on some nice medium format scans from a few months ago (see this older blog post about the medium format images here) and thought that this was a great opportunity to showcase those. Since those images were square I decided to create a 2×2 grid of square prints. Ideally, I would have loved to have added additional images to make the grid larger, to possibly a 3×3 or even 4×4, but given the time and space constraints I went with 4 simple images.

I consciously chose images that were fairly recent (all but 1 was captured in the last couple of months) as well as images from my archive that were fairly unseen (besides being posted on the blog that is). If it isn’t obvious already, I love vibrant colors, so I wanted the prints to be displayed in color versus black and white.

As for the theme of the images, it came to me while struggling between wanting to showcase my portrait work and showcasing more of my abstract work that is not usually seen by many. I ultimately decided on a compromise and found 4 images that were centered around 1 person, but were still semi-abstract. Since the eyes are one of the most important component in a portrait I decided to choose 4 images where the eyes of the subject were obscured or hidden, giving the subjects a level of animosity and imposing a sense of mystery on the viewer.

Given the feedback of a few visitors to the gallery, I believe my theme was a success. Two of the images are digital captures, the other two are film scans. Each are 20″x20″ print was chemically produced onto Kodak E-surface paper and professionally mounted onto 1/4 inch foam core.

Now that the show is over I will be selling each of these prints for just $75. The proceeds from the sale(s) will help fund an exciting upcoming project. The prints can be shipped anywhere and I can accept any form of payment so please contact me if you are at all interested!

More detailed info on each image is below.

This image is from a playful underwater shoot we did back in May at a very upscale condominium complex here in downtown Houston, Texas. The high-rise had a roof-top lounge pool that offered nice vistas to shoot against. We had access to a very nice (and expensive) underwater housing for our digital camera rig during the shoot and took advantage of that resource. The rig itself was VERY challenging to say the least, but it was a blast getting to try something new. I have underwater housing for my smaller digital rigs, but this was a whole new animal. This particular image was something I had captured in between sessions. Most of the portraits were shot with the models half in and out of the water and this image, shot as the model playfully jumped into the pool after her session was wrapped, was one of my favorite outtakes from the day.

This image, which is one of the two medium format film scans, is actually of my brother, Zach. We had just acquired the Lubitel twin lens camera and had taken it to a family gathering. I took my brother outside and had him pose in front of some foliage in the backyard. Being of that age, he feigned interest and I captured this image of him wiping his face between takes. I’ve loved this image and moment from the first time I scanned it in.

This image is the other medium format film scan of the 4. It was actually taken on the same roll as the above photo, only minutes after that image was captured. It was my first double exposure with the Lubitel twin lens camera. I really liked the brush that was growing in my father’s backyard so I captured an image of that and double exposed a portrait of Libby on top. I believe she was touching her face for some reason. This was another in-between moment that I loved. You can barely make out her right eye. We haven’t put many rolls through the Lubitel, but to this day, this frame is still my favorite.

This final image was the only image captured more than a few months ago. It was taken on July 19th, 2009 in the Limpopo province of South Africa. I believe we were in a van headed towards a game ranch in Alldays when I captured this. There was beautiful scenery all around us and I was stuck in the dead middle of a van stuffed with people and gear. I was annoyed at the fact that I did not have a window seat to capture drive by images so after a little thought, I made it work in my favor.

Finally, after a long weekend, the last post in the 4-part series is here, but for posterity, let’s recap the previous 3 posts.

(Click on each of the following to check out the post)

1 of 4: Oktomat

2 of 4: 5D II

3 of 4: Lubitel

Since the new Apple iPhone 4 was released just a week or so prior to my leaving on this recent trip, and given the fact that I had pre ordered and received the new phone, this post is pretty much a given. I took a handful of images and video after receiving the new phone and prior to leaving, however I was excited that I would be able to travel with the phone to put it through its paces.

I upgraded my phone from the Apple iPhone 3G which was 2 years old. The advancements made in the built in camera(s) were worth the price of the upgrade alone, as it is the camera that is ALWAYS with me, even when there is nothing else. I took somewhere in the ballpark of 3000 images during the life of my 3G (click here to see my previous posts from the older iPhone 3G) and am already on pace to break that record with this new iPhone.

Whenever I see something that inspires me or just need a quick photo of something I reach in my back pocket and pull out my phone. I started snapping images as soon as we were in the airport in Houston and didn’t stop until we were home. I believe I took around 600-700 images during the week-long trip, not to mention a ton of HD video clips as well. During our short stay in Chicago I snapped a photo of this beautiful church on the corner of W. Barry and W. Seminary streets. Moments later I started toying with a few of the image editing apps I have installed on my phone. After combining a few of the effects from 2 different 3rd party apps I stumbled on an effect that I found rather appealing. Throughout the remainder of the trip I would go back and edit images taken on the trip in the same manner and came out with another little iPhone photo essay from the travel.

The original iPhone4 image, the image converted to black and white, and the final image.

The illustration above shows the progression from the initially captured image to how the image looked after the first step with the third image illustrating the completed image.

The first step was to identify which images would work best for the project. I found that high contrast images with fairly simple content worked best. Huge group photos with a ton of people would often seem muddied up, so sticking to fairly simple images worked best.

Secondly I used the Photoshop Mobile app to convert the images into black and white, boost contrast and perfect exposure. The Photoshop Mobile app is great for those basic tweaks that any real photographer would need. Sure there are a few bells and whistles to entice the casual user into purchasing, but it’s the only app I have (and that I have found) that will let me crop and straighten images with a constrained aspect ratio. After saving the edited black and white image I was ready for the final step.

I have several impulse buy image editing apps that I have been into lately such as Red Giant’s Plastic Bullet app that turns your photos into vintage wonders, but the app that worked for me here is Stephen Spring’s Pic Grunger. It’s a simple application that allows the user to select an image and apply any one of several built in textures. Some of the textures look better than others when outputted. I originally dug the “cracked” look, but since it didn’t hold up too well when I transferred them to the computer, I decided to go with the “creased” look. The app seems to output the images at 1000 pixels on the long end (about 1/3 of the original size) which is definitely a negative and I wish there were more choices of textures, but other than that, the app is awesome. The vintage, sepia tone, textured feel produced from the app gave the images a punch that I really dig.

A few of my favorites are in the slideshow below. Check back periodically as I will most likely be adding more images to this gallery from time to time.

Now that all 4 parts to this blog series is complete, please drop me a line to tell me which set of images you liked most!

JULY 2010: IPHONE OHIO – Images by Todd Spoth

Today’s blog is the 3rd in our 4-part travel series and focuses on images from our Lubitel 166, twin-lens, medium format camera.

We put a few rolls through the Lubitel during our trip, but it is fairly new to our collection. It was acquired back in March and it takes a bit of getting used to, but I have definitely made some frames I really dig. A few months ago I made a blog post highlighting a few of the first rolls through it. (<—– click over there to check out the first Lubitel blog!)

The Lubitel 166+ (the version we own) is a twin-lens medium format camera that is a reissue of the older Lubitel models, which were actually based on the old Voigtlander Brillant camera. Unlike its predecessors, our version is plastic and very lightweight, which is both a benefit and a hindrance depending on how you look at it. On one hand I love that I can hang it around my neck and almost forget it’s there, but at the same time, I get nervous when I have to stuff it in the bottom of a full camera bag for fear it might be crushed, or crack somehow. Luckily I haven’t had any issues. The controls are fairly simple, but anyone who has ever tried to carefully compose a shot with a TLR and a waist level viewfinder (without a tripod) will understand the frustration. As someone who came from a graphic design background and puts a lot of stock in careful composition and lines, I sometimes find myself frustrated when trying to fine tune a shot, but after the film is developed and I realize I nailed it, (if I actually did nail it) I feel like I just conquered the world.

Given the time and effort that goes into every frame, we only managed to run 3 rolls of 120 Kodak Portra 400vc through it during the trip. Shooting the 6×6 format (which I prefer to the rectangular) we only get 12 exposures per roll, meaning that we walked away with 36 total frames about half of which I liked and are in a slideshow at the bottom of the post. That is an almost 50% keeper rate, which in the world of photography, isn’t bad at all. The vivid color film makes the colors pop nicely as you can see in the above image of the cornfield against the blue sky. The images have a definite mood and texture to them which I like. If you’re wanting a quick snapshot of a scene and have only a few seconds, there are other cameras that will do a better job, but if you can spare a few minutes and can take your time in a fairly static scene, the Lubitel can give you a nice image. Of course, it’s no Hasselblad, but for the price and weight, it can’t be beat.

15 of our favorite Lubitel images from our trip are below, including a few more double exposures as well. Let me know what you think of them on the Todd Spoth Photography Facebook page or Twitter page and stay tuned for the last post in the series (which may be the most interesting) coming soon!

JULY 2010: LUBITEL OHIO – Images by Todd Spoth

This second of the four part blog series focuses on images taken with my Canon 5D mark II digital SLR camera. This is one of my main cameras I shoot assignments with on a daily basis. Its accurate, does it’s job and is my workhorse. Anytime I travel, regardless if the trip is business or personal the 5D II is always with me. And almost all of the time I am packing a pretty sizable digital kit as you never know when the opportunity will present itself for a serious shoot even if the trip doesn’t seem so.

However, on several of my last few personal trips, I have found myself using my 5D less and less and instead opting to use the camera that is always by my side, my cellphone, but since that post is coming, we will talk about the 5D here. It’s actually pretty interesting to be able to lay all of my images from my trip out and be able to identify which device was used in each situation. For example since the 5D kit is heavy and oftentimes cumbersome to manage, most of images taken with it were from my aunt’s house where we stayed or nearby. Most of the images taken on different day trips here or there were with other, smaller, devices. This doesn’t mean I love my 5D any less, it just means that since I am on vacation and my other, smaller, devices produce their own interesting images, I opted to save my shoulders and leave the heavier kit in its case. I thoroughly enjoy producing interesting images, but given this was a personal trip, I was not in a pressure situation to produce a certain image for a client, thus I could take advantage of using my toy/smaller cameras and experimenting to my heart’s content.

I did however use the 5D to capture a lot of video clips and time lapse sequences of our family gathering as well, so even though it may seem as if I didn’t utilize it as much as I could have, I really did put it through the usual paces.

21 of my favorite images are in a slideshow below. We have 2 more posts in the 4-part series coming in the next few days so be sure to check those out as I think they are going to be the most interesting of the bunch.

JULY 2010: DIGITAL OHIO – Images by Todd Spoth

The abandoned building which once was a bustling Hoover Appliance factory. North Canton, Ohio.

I just wanted to start this post off by thanking everyone that took the time to check out the previous blog post about the huge Blurb book we created for my grandmother. A record number of viewers checked out the blog and I am still getting positive comments from all over the globe.

I talked a little about the trip to visit family in the previous blog, however this blog will be the first in a series of four, dedicated to the images made during that trip. Even though it was a mostly personal trip, I still managed to capture plenty of images along the way. The fact that the trip was a no pressure, non-business, situation allowed me to take out some old toys and have a little fun.

Each of the four blogs will concentrate on images captured with a certain camera or device, digital, film, cellphone or otherwise. You’ll have to stay tuned to check out the upcoming blogs, but today’s blog focuses on the Lomo Oktomat, a tiny plastic camera that captures 8 different frames onto one single frame of film. The tiny plastic lens all aimed in slightly different directions make this toy camera one of the funnest cameras in my collection. And you can’t argue with the price either!

I must have picked up this little 35mm toy camera from Lomo for about $35 or so, at least 4 or 5 years ago (before Lomo and Urban Outfitters got in bed together) and have used it fairly sporadically ever since. I guess that is the nature of the toy camera or at least for the cameras in my collection. I have a ton of toy cameras and old Polaroid cameras that get taken out randomly. There are a few that I really love and travel with me often, but most are just for fun. There are a few Polaroid cameras in my collection I would love to take everywhere, but given the scarcity and thus, the price, of certain Polaroid films that is impossible, but that’s a story for another day.

For the Oktomat, there are few concerns. It is 35mm, which makes it easy to find and process the film, the size is tiny in comparison to some of my other toy behemoths, and the controls are pretty much non-existent, in a good way. There is no (real) viewfinder for you to fine tune compositions, no manual exposure dials and no options for a flash. You simply point (in the general direction of) and shoot. With a quick crank of the film advance lever you are ready to go. Since its 35mm you will change film less as it can have 36 exposures rather than 12 or 16. It takes the saying, “shooting from the hip” to a whole new level.

The frames are grainy and dirty (mostly due to my shoddy scanning abilities), some frames come out dark and unusable, some blurry and sometimes the plastic film advance dial doesn’t want to properly advance the film, but it’s all of the above that add to the overall appeal of the camera, especially when you can pull a nice, dreamy, diamond from the rough.

Libby's ink and watercolor representation of the Lomo Oktomat drawn on our trip.

We ended up carrying the Oktomat (illustrated above) wherever we went on our trip from roller coasters at Cedar Point to the middle of the Amish country. In total I believe we shot about 5 or 6 rolls through the camera which I had processed upon our return. They were then scanned in and rediscovered. Since the camera is so unpredictable by nature, it’s pretty interesting to see what came out when you are scanning the images in.

I did some basic edits to my 36 favorite frames and put them into a slideshow which is below.

Tomorrow will feature photos from a different camera so stay tuned!

JULY 2010: OCTOMAT OHIO – Images by Todd Spoth

The 400 page Blurb book, produced by Todd Spoth and Libby Johnston.

My family has been planning my grandmother’s 80th birthday celebration for about a year now. My family on my mom’s side is a close-knit group of individuals, however logistics is sometimes an issue as we are scattered across the globe from Tokyo to LA to Cleveland to Brazil. We agreed early on to all meet up in Cleveland to surprise my grandmother with a visit.

After I got my travel plans in order, I had to decide what to get my 80 year old grandmother. I had been involved in my scanning project for a few months then and almost immediately decided on producing a photo book as a gift to her.

I’m sure my family is not dissimilar to many in that there are hundreds and hundreds of amazing film images scattered across aunts and uncles and cousins and grandparents, that sadly, sit, unorganized and deteriorating in closets and trunks and attics and basements. Given my (somewhat forced) knowledge on digital archiving and preservation, I took it upon myself to start scanning in some of these legacy images, digitally. It was and has been a time-consuming and tedious process, however it is, in the end, worth every minute as now these digital files are easily accessible and archivable.

After scanning in hundreds if not thousands of weathered prints and negatives, I realized I had only scratched the surface. The images I had scanned thus far were from my own personal stash of images from my childhood and from a few handfuls of unorganized photos that my mother, who currently is living in Brazil, had sent over to me. The scanning in of the images using our Canon CanoScan 8800F flatbed scanner was definitely the most time-consuming and tedious part, from there we could concentrate on the book.

Libby and I worked through different concepts and ideas for the book, before ultimately deciding on doing a 7″x7″ book by Blurb using Blurb’s own Booksmart software. We had done several photo book’s with Blurb in the past and had a pretty good experience with them overall. We were coming down to our deadline in getting the book ordered so given the fact that we were familiar with the software and company as a whole, we chose Blurb.

We toyed with the idea of creating 3 or 4 mini-books or creating a really big book with intricate layouts, but in the end decided on a smaller 7″x7″ book that would be filled with full size images from our family’s past. The book was to be hardcover with an ImageWrap cover, meaning there was no dust-jacket and the cover would be printed with our own design. We decided not to mess with the different layout styles and simplify the book by having just 1 image per page, full bleed. There are a few exceptions, such as a few double-trucks, and a few carefully assembled layouts, but for the most part, each page is it’s own photo. This not only made our lives easier in the layout process, it would be a lot easier to experience, especially by someone who is 80 years old.

Our last rule we imposed on ourselves for the production was that all of the images that would appear in the book would be film images. I have tens of thousands of digital images from more recent family events, however for this project I wanted to focus on the past and concentrate on the amazing archive of film images I had recently acquired. Not only was I scanning in 35mm prints from my childhood, but I had discovered a lot of priceless gems such as a set of prints of my late grandfather during his time in the Air Force as well as images of my grandmother in her 20′s, living in Japan.

The old prints of my grandfather during the war are among my favorite images.

Typically during my own portfolio editing process, I toil with cutting down the number of images into a tightly-edited package of only the best, but for this project I had to change my thought-process. We initially tried to edit some of the images down, but ultimately decided that this was not a portfolio and that my grandmother and family would be thrilled to see as many photos as possible. After checking out the page count limitations on the Blurb website we decided to produce as many pages in the time we had to finish the book. Libby worked tirelessly to layout as many quality pages as she could while I worked to come up with a design for the cover. We really wanted to max out the number of pages out at 440 (the Blurb maximum) but due to time constraints we topped out at 400.

Prior to deciding to go for quantity with the page count, I scoured the Internet looking for photos of other large Blurb books, but came up empty. There were a few here and there, but for the most part, there weren’t any real images, which is my inspiration for this blog post and the images that follow.

I tried for days designing different cover ideas for the book. One of my designs included a black cover with “La Familia” in an Old English typeface dipping across the front. After a visit to the local Japanese market I had the idea of doing a parody cover of the packaging of some Japanese rice crackers. I explained to Libby my idea and with both of us in agreement she went to work. She created the entire front and back cover from scratch, mimicking every detail of the original packaging and adding in subtle details as they pertained to the book.

The inspiration for the cover, (right) and the final product, (left)

Since Libby spent so much time and did such an awesome with not only the layout but the cover design as well, I decided to take an older film photo of her and design a credit page for the back of the book.

The custom credit page I designed with a childhood photo of Libby.

When we received the book we were excited to flip through all of the pages and see them for the first time. I was pleased overall, but there were a few things I noted for our next Blurb book endeavor. First, the ImageWrap cover  needs a pretty significant amount of bleed room to actually wrap around the covers of the book. Blurb warned us about this, and it looks fine, but we would have liked a bit more breathing room for some of the cover elements. Since the book is only 7″x7″ and 400 pages, more of the images get lost in the gutter as opposed to a 12″x12″ book with only 10 pages. This really wasn’t too much of an issue once the book was delivered and started to get worn in, but it was a concern. Other than that, the project was a complete success and my family, especially my grandmother had a great time looking through all of the images and reliving all of the memories.

In addition to helping with the layout and cover design, Libby also constructed a tiered-trio of custom made boxes to present the book in along with a few other small gifts. All of the family members were also given a DVD with a similar custom cover layout that had digital copies of all of the images I had scanned in. My goal with the DVD’s and book is to inspire the rest of my family to organize and scan in their weathering prints so that we can properly maintain and archive our family’s history.

If you have any thoughts about the project or have created your own huge Blurb book, I would love to hear your comments and experiences. Please let me know what you think!

400 PAGE BLURB BOOK (JUNE 2010) – Images by Todd Spoth

A young boy relaxes under the mist tree in Discovery Green Park in Houston, Texas.

One of my regular editorial clients is my hometown newspaper, The Houston Chronicle. Since the majority of my workload lately consists of work that differs from my work as a newspaper photojournalist, getting an assignment from the Chron often seems like a much needed break. The variety of things a newspaper photojournalist photographs is vast, from sports to portraits, and you never know what you’re going to get. From drag racing to triathlons, I have photographed a ton of different events in the first 6 months of this year, 2010. I have also had the pleasure of meeting and making portraits of several interesting characters from MLS soccer stars to skilled surgeons.

The gallery below highlights some of my favorite images shot on assignment for The Houston Chronicle during the first 6 months (January – June) of 2010. The group of images may not necessarily represent the “best” photos in a journalistic sense (depends on who you ask) merely my favorite photos for whatever reason. Although I tried my best to showcase images and assignments that were not previously featured on the blog, some of the images may be familiar. Some of the images made it into either the print edition or the web edition of the publication and some images were simply outtakes that I deemed interesting for whatever reason. Please note that some images may appear differently than those originally sent to the publication for print, as I went back into the archives and did a few different edits, but for the most part the images were plucked from my “sent” folder.

Please let me know what you think, and of course, please use the “TWEET” button at the end of this post to share with friends!

PS: Click here to check out the new blog from the photo staff over at The Houston Chronicle entitled “Depth of Field”.

BEST OF THE CHRON 2010 (JAN-JUNE) – Images by Todd Spoth

Local Houston pitching phenom, Jameson Taillon, at Scotland Yard in The Woodlands, Texas.

This past weekend I was assigned to photograph a local high school pitching star from up north in The Woodlands, Texas, Jameson Taillon. As I usually do before a portrait session, I research the subject to try and understand why they are being photographed and to learn a little bit about them. Jameson who recently graduated from The Woodlands high school was recently selected 2nd overall in Major League Baseball’s 2010 first-year player draft by the Pittsburgh Pirates organization. Not only was he considered the top pitching prospect of the draft, Jameson was offered a scholarship to Rice University and a spot on the prestigious Rice Owls baseball team. Given the fact that I love sports (especially baseball) the research on Jameson was more exciting than tiresome. After coming to the realization that this kid was a little more than just decent high school baller, I tried to come up with some ideas on how to approach the shoot.

Saturday morning I arrived at Scotland Yard, the home field for The Woodlands High School baseball team, early, to scout locations. Although there were a few lingering clouds, rain was not an issue, but the 110 heat index was definitely going to play a role. I had my gear set up and ready to go well before Jameson showed up.

“How did you get in here,” Jameson said with a grin.

Little did he know that in the absence of any facilities personnel on a Saturday morning, I roamed around long enough to find an unlocked gate and let myself in.

Local Houston pitching phenom, Jameson Taillon, photographed by Todd Spoth.

Given Jameson’s recent success, it’s no wonder that several of my colleagues in the photo world have photographed him recently, with most of the shoots taking place at this same location. Although it may have been repetitious for him, he was in good spirits and a great sport. Unfortunately for me, since my shoot was taking place after the high school season was over, Jameson was unable to be in full uniform for the images. He had a cap, a glove and a logo t-shirt. The trademark socks, pants, jersey and cleats that set the iconic baseball uniform apart from the rest of the sports world were no where to be found.

Some of my planned shot ideas involved shooting Jameson full length and in a variety of different locales around the ballpark. Since his uniform was incomplete I adjusted my game plan and decided to work in tight and concentrate on Jameson’s look.

Pitchers in baseball are known to “stare down” their opponents. There was a certain look in his eyes that showed me he had what it took to intimate batters, but there was also a touch of innocence about him. Here is a kid that was just another high school teenager a few months ago and now is on the verge of a possible multi-million dollar offer from a Major League ball club. Once I took a few tight frames of Jameson, concentrating on his eyes, I knew that my last-minute game plan adjustment was for the better.

After we started shooting, Jameson was very accommodating. Since I was dealing in tight, it meant that he wasn’t able to be as mobile as maybe he would have liked, but we pushed through several different angles and lighting setups and were done well before he had to leave.

I played baseball for about 8 or so years, before I moved to Paris, France in my younger days, so I am definitely proud to see another local Houstonian about to break out in the big leagues. Our area is known for producing exceptional sports talent and Jameson will hopefully go on to become an awesome Major League hurler, whether he decides to jump right in or attend Rice for a few years.

A gallery of some of my favorites from the shoot is below. If you dig the photos, please use the “tweet” button below to help spread the word.

JAMESON TAILLON (10-06-19) – Images by Todd Spoth

Wayne Coyne of The Flaming Lips performs during the 2010 Free Press Houston Summerfest in Houston, Texas.

Last weekend I photographed the 2010 Free Press Houston Summerfest at Eleanor Tinsley Park here in downtown Houston, Texas. Last year was the festival’s inaugural year and I remember feeling really excited and proud of my city for finally hosting a legit music festival as I watched Broken Social Scene, Of Montreal, Explosions in the Sky and others take the stage in the park just blocks from my place. I have been involved in the live music scene for years, whether playing or photographing and for most of that time our neighbors to the west in Austin have held the torch for the best live music scene, and even though that is still the case, the Free Press Houston Summerfest is a testament to just how much Houston can give Austin a run for its money.

This year’s festival was even bigger and better with a larger main stage, more sponsors, and bigger headliners. The festival (both this year’s and last) creatively blends a wide-range of musical genres from hip-hop and metal to indie and jazz. The main draws this year were Girl Talk, Slim Thug and Bun-B, and The Flaming Lips. For the punk/hardcore audience, Cro-Mags and Municipal Waste graced the side stage. In total there were over 70 bands, national and local.

Temperatures were sweltering on day 1, Saturday. I was able to walk to the venue with a small backpack to carry the camera essentials. There was a lot more activities and vendors compared to last year, but after a trip or two around the grounds I settled at the main stage to photograph RaRaRiot. For most of the first day I remained near the main stage photographing the handful of bands that would take the stage throughout the afternoon.

A crowd dances on stage during Girl Talk.

Popular mash-up artist Gregg Gillis aka Girl Talk headlined day 1. I had never seen him perform live, but was introduced to him and his jams back when I worked in Baltimore in 2008. I always knew his live shows were a party, but I was not ready for the craziness that ensued. Balloons, toilet paper, dirty dancing, and everything else seemed to be happening on and off stage during the lengthy set. Towards the finale of the set, Gregg leaped up onto the on-stage desk that held his only instruments; a laptop, a mouse and a mouse-pad, (complete with puppy dogs) held his hands in the air and in almost perfect synchronization, an elaborate fireworks display went off in the background. It was a perfect ending to the first of two long days of live music.

It wasn’t until I had already started walking through the gates of the festival when I looked up and saw some threatening clouds. As I leisurely made my way down the natural embankment to the main stage, raindrops started to fall on my head. Within a few minutes of my arrival, several other photographers, a few crew members and I were huddled underneath a tent backstage, watching as a torrential downpour threw a meteorological wrench into the plans of hundreds of fellow music lovers. Last year severe thunderstorms made a muddy mess of the festival grounds, but were thoughtful enough to cease just prior to the opening of the gates. This year mother nature had waited until the fans were settled into their hillside spots and onto their colorful blankets before she showed her teeth.

Festival-goers slide down a muddy hillside, during a rainy day 2.

I have to admit it. From under the (relative) safety of my tent, I had to give it to my fellow Houstonians. There was no mass exodus as the rains continued to come down. Of course there were several groups of spectators that called it a day or at least decided to wait it out elsewhere, but the majority of fans took it in stride. They held their spots on the muddy hillside and continued to enjoy the music. Some even decided dive in head first (literally) into a new event that had spawned as a result of the rains, sliding down the muddy hillside into a puddle of muddy rainwater that had gathered below. After watching a few minutes of this intriguing event from underneath my tent, I too decided to throw caution to the wind and not join them, but photograph them. In the process I think a few of my lenses and cameras paid the price, but some interesting images were made.

After a while the rain cleared and the show went on as planned. The rest of the day’s acts went off without a hitch, but like day 1, I was not prepared for the headliner.

The Flaming Lips were set to finish off the weekend of music. I had never seen them live, and although I knew a bit about their live performances, I admit I did not quite expect the sheer craziness that ensued. In a similar fashion to Girl Talk’s set the night before, there were streamers, balloons, confetti, costumed dancers, elaborate lighting, elaborate set design and of course frontman, Wayne Coyne’s signature bubble.

We were only given access to photograph the first song of the set, but after that song I moved back and enjoyed the rest of the set from the rear. As I watched the final songs of this year’s Summerfest I realized how many more people were in attendance compared to last year. I only hope that this festival sticks around, continues to grow (in the best way possible) and draws even larger crowds in years to come.

Check out the slideshow of images below and if you like what you see, please retweet!

SUMMERFEST (JUNE 2010) – Images by Todd Spoth

A comparison of 2 images that feature the similar scene of Vince Young celebrating a big play.

This past weekend I had the chance to photograph Vince Young’s annual celebrity basketball game here in Houston at Butler Sports Complex, a familiar spot for the native Houstonian.

Vince Young is well known in Houston as he drew a lot of attention as a high school prospect in the area, eventually playing college ball at the University of Texas. After a very successful career as a Longhorn, there was notable controversy during the 2006 NFL draft, when his hometown team, the Houston Texans passed him over for defensive end, Mario Williams. Young was picked 3rd overall by the Tennessee Titans where he plays today.

I have photographed several NFL games over the years, several during Vince’s career with the Titans, however one moment stands out above the rest.

It was December 10th, 2006 and Vince, a rookie at the time, was at the helm of the Titans squad against the Texans at Reliant Stadium in Houston. Texans kicker, Kris Brown, tied the game with a 46-yard field goal to force overtime. The Titans won the toss. I was positioned near the end zone with Vince facing me on the other end of the field. It was still early in the overtime period when Vince and the Titans were facing a 3rd-and-14. The Texans had hope. The crowd was on their feet, trying to will their team to the 4th-and-out that would never come. Seconds later I saw Vince running towards me, the ball safely tucked under one arm, his other outstretched in celebration. The 39-yard touchdown run instantly transferred the energy from the fans to the Titans bench and without a moment’s notice I was backed into a corner with a jubilant Vince Young and a stampede of excited Titans barreling towards me.

Vince Young celebrates with teammates following a game-winning touchdown run in 2006.

For those who are unfamiliar with photographing an NFL game, the protocol usually requires at least 2 cameras, 3 if it’s a possibility. The primary camera is outfitted with a long zoom lens with a focal length anywhere between the 300-600mm range. The second camera usually has on a 70-200mm lens which is nice for photographing plays as they come a little bit closer to your position. The third camera body is usually mounted with a wide angle lens. This third camera sits around the neck and is at the ready for fast action. The majority of NFL action images are captured while the play takes place a decent distance away, but the given the unpredictable nature of the game, the third camera is there for times when the play and subsequent action is charging towards your face.

As Vince celebrated his game-winning touchdown (which kept the Titans in the playoff hunt) I put my wide-angle outfitted camera up to my eye and snapped off images as the team rushed over to revel in the moment. In a matter of seconds more photographers, players and other persons joined the scrum, but those initial moments of jubilation were for the most part gone forever.

That game was about 3 and a half years ago and I have photographed Vince with the Titans since then, but that moment is one I will never forget.

Vince Young during a Monday Night Football game against the Texans in 2009

Fast forward to this past weekend.

Even though there were several big names in the mix, the event was for the most part low-key, which meant access was excellent. The game was held at an older local high school basketball arena, which was great for ambiance, but made it very difficult to photograph due to very dim lighting conditions. Among the players were; J.R. Smith of the Denver Nuggets, Mr. 720 (famous for his outrageous dunks), Former Longhorn and current offensive guard for the Houston Texas Kasey Studdard, Texans receiver Andre Johnson, former NBA star Nick Van Exel, rapper and entertainment mogul Master P and his son Lil Romeo. The motley crew of different players was fun to watch. Mr. 720 and J.R. Smith were definite front-runners talent-wise, but everyone brought something to the table. It was like watching a very casual all-star game, with very few stoppages in play, lots of fast-break dunks, and a plethora of no-look passes (some successful others not so much).

During the final minutes of the game, the score was close and the mood intensified. Both the crowd and the players seemed to perk up and for the first time pay attention to the time left and the score. There was a few minutes of give and take, but just like that game over 3 years prior, Vince found himself with the ball and and in a position to win the game for his team and win he did. Vince scored the winning points with a classic overhead slam dunk and what happened next was my deja vu moment.

Within seconds of the game-winning dunk I again found myself shoved against the wall next to a jubilant Vince with his teammates running towards us. Again, I lifted my camera and wide-angle lens to my eye and began shooting. The following image is one from the post-game fray. You can see Denver Nuggets guard, J.R. Smith in the background celebrating with the rest of the team.

Vince Young celebrates after a game-winning slam dunk during his celebrity basketball game in Houston, Texas in 2010.

After the game Master P approached me and let me know that he had to let Vince win on his birthday. So, I guess Vince’s 27th birthday didn’t turn out too bad after all. As I edited the images from this past weekend’s events, I noticed one image from the scrum. I pulled the above image out and compared it with the image of Vince from that overtime game years back. The resemblance was interesting to say the least.

**note** I am currently tweaking different things on the blog so let me know what you think about the new features. One new feature is the green button which is directly under this post that allows twitter users to retweet this post, so if you are a twitter user, please do!